I am an artist and software developer whose practice explores the aesthetics, politics, and epistemologies of technical images. Influenced by the writings of Vilém Flusser, I examine how apparatus-driven image production—such as algorithmic vision, biometric recognition, and generative datasets—structures contemporary forms of knowledge, identity, and desire.
Working across photography, machine learning, and code-based systems, I interrogate how visual technologies mediate intimate and infrastructural realities: from algorithmic likeness and physiognomic prediction, to the logistical architectures of digital commerce. My work is grounded in a critical engagement with the classification logic of datasets, the racial and gendered inheritances embedded in training material, and the ways visual culture is increasingly governed by pattern over meaning.
As a practicing software developer with an interest in Research Software Engineering and the digital humanities, I operate at the intersection of technical implementation and cultural inquiry. I’m particularly drawn to points of friction—where automation fails, where visual systems reveal their politics, and where human decisions become entangled with algorithmic procedures.
My practice is both conceptual and material: it asks not only what images show, but how they are made, who they serve, and how they might be resisted, repurposed, or re-imagined.